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starksparker

Unsteady [18 - END]

starksparker

Pairing: Peter Parker x Reader

Word count: 5,718

Warnings: Swearing, fluff, angst, mentions of injuries

Summary: The one with recovery

A/N: Okay I’m not gonna get all mushy but I do really want to thank everyone that’s read this. I know some of you have been reading since week one and y’all have literally been here for 16 weeks. THAT’S INSANE. I really didn’t think this would go as well as it did, especially since it’s my first solo Parker fic. It’s just insane guys. Thank you to everyone that’s read it and your comments and tags literally kept me going. So, I hope you guys like the final chapter and I’ll catch ya on the flip side.

prt. 15, prt. 16, prt. 17

Series masterlist // Masterlist // Tag list

Peter’s elbows stay locked and everything around him is hollowed, echoed as if to be deep in an empty chapel. The sirens are growing closer, KAREN is in his ear telling him to stop, Tony is beside him calling his name. But nothing. All Peter is focused on is getting another heartbeat. Something. A breath. He’s so focused he hasn’t noticed the water falling onto your face were his own tears cascading down his cheeks.

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This is worse. Looking at these you can tell they have no significant monetary value. They were confiscated as a fear tactic. Nothing more.

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This picture breaks my heart everytime it appears in my dash. It’s a fear tactic, alright but—

The first one in the left corner: It’s a first communion rosary, and it’s not cheap.

The black one in the first line: That’s a widow rosary and it’s old.

The white one in the second line:  is a commemoration rosary. It has a miniature picture in the round part. I haven’t seen that since the 70′s.

In the third line, multicolor one: It’s an Anima mundi, I have only seen those in the hands of Rosary ministery’s old ladies. The oldest ones are from the 80′s after Juan Pablo II came to Mexico for the first time. It’s one of the old ones, I know because the crucifixes are different. 

The third one on the fourth line: Red and gold. The style is old, the metal is dark, that’s a 50′s rosary, probably a quinceañera one (or it’s maybe older, from the 40′s when the brides carried red roses with their offerings).

The fifth one on the fourth line: It’s a quinceañera rosary with Ignatius’s tear. The style is old and in my part of Mexico is orphan girls who used it. At least it was when I was young.

The third one of the fifth line: the blue one with the anchor. That one I have only seen in Veracruz and it doesn’t look new.

The fifth one on the fifth line: That’s a 90′s wedding rosary. Black and white patterns were popular on that date.

The fourth one on the last line: That’s a first communion rosary from the 30′s. It’s delicate and most probably silver.

The rest wrench my heart too, the humble everyday rosaries with wooden beads and knots. Those are cheap and bear the wear and tear of their user handling. But those  I described are much more.

Those are mother’s rosaries.

Those are not just rosaries. Those are mementos, that’s the proof of their families stories. They are taking from them the only portable things they can carry to feel the connection to their families.

It’s not a fear tactic. Call it like by its name.

It’s dehumanization.

Source: camewiththeframe
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